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Bergmark playing Stringed Stirrups in Alka, Linköping

Johannes Bergmark

Bergmark playing Stringed Stirrups in Alka, Linköping
.

“In the long history of humankind,
and of animalkind too,
those who learn to collaborate
and improvise most effectively
have prevailed.”

Charles Darwin

quoted in

The Skeptics' Guide to the Universe

.

Bergmark playing Stringed Stirrups in Alka, Linköping



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Bergmark playing Stringed Stirrups in Alka, Linköping





På svenska + norsk


En español


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More contents that might at some point be expected are: more pictures, films, sounds and texts:

    Texts and translations in english:
  • Music is a verb! A propos Christopher Small and the future of the musical ritual; Music Is Nothing, 2004 Published in Patricide 4.
  • Rising Towards the Light, Acrobatic Performance 2011
  • Manual manipulation of acoustic feedback for teapots, bowls, buckets and other packaging 2011
  • Some unusual entrances into musical instrument acoustics.
  • Nicolas Collins: Hardware Hacking 2010
  • Art, Politics and Money, 2000.
  • Abolish the rich!, 2000.
  • Played By My Instruments; the unabridged version, 1997.
  • About the instruments (with photos): The Condom-Zither; The Rainstick; The Clavichords; The Double Trumpet; The Stranded Whale.
  • Crime and Wildness; The personality market and the modern revolt, 1989, with newer commentaries.
  • About my sound poetry.
  • Interview with Joëlle Léandre ca 1996
  • Interview with François Bayle ca 1996
  • Interview with Bob Carroll of The Skeptic's Dictionary 2009
  • Online debates about acupuncture, homeopathy, science and “alternative medicine” 2010-11
  • No press voices
  • Old translations of surrealist texts from archives
  • Updates: this Index-page less messy, Cv (older years), Why I hate blogs etc, Fågelpingis, Mubil, Text-Sound, Cousins, Contact Mikes, Discography, Children, Films and photos, Tips, Intertext
    Texter och översättningar på svenska:
  • Upp stiga vi mot ljuset, akrobatisk performance 2011
  • Manuell manipulation av akustisk feedback för tekannor, bunkar, hinkar och andra förpackningar. 2011
  • Intervju med Bob Carroll från The Skeptic's Dictionary, för Folkvett, organ för föreningen Vetenskap och Folkbildning. 2009
  • Några ovanliga ingångar till musikinstrumentakustik
  • Kommentarer till texten "Brott och Vildhet – personlighetsmarknaden och det moderna upproret". 1989
  • För en vild musik, 1993.
  • Fler ljuddikter; hela Erratum Musical och Över opal bågar häröver. 1989
  • Surrealistgruppen ett år efter kravallerna (utkast till uttalande från surrealistgruppen 2002).
  • Diverse texter från min tid som Fylkingens ordförande 2001-2010.
  • Intervju med Lars-Göran Ulander, saxofonist. ca 1987
  • Gamla surrealisttexter ur arkiven
  • Uppdateringar: Fågelpingis, Mubil, Nordiska Instrumentuppfinnare

©

A note on copyright. Unless otherwise stated, the copyright for all contents published under the domain bergmark.org, including texts, pictures, sounds and films, are © by Johannes Bergmark. However, all of it can be copied or reproduced or quoted for private non-commercial use. If reproduced or performed, even partly, in public however, it has to be done with proper citation and acknowledgement. Nothing can be reproduced or performed for commercial purposes or on a scale more than personal, without permission. All music is licensed by STIM.

[Drummer drawing.] This drawing was made by one of the kids that went to the kindergarten that I was working in in 1986-87.
It is a drummer.
The figure was used as the symbol for Stora Saltet, the former journal of the Surrealist Group in Stockholm of which I am a collaborator and co-founder since 1986.


Warning. This is part of the official web site of Johannes Bergmark. The texts on this site and in links from it can be trusted. But on the internet there is at least one place (belonging to Indymedia in Hawai) where my name has been put without my knowledge among others as signatures of a stupid and disgusting tract in fact written by an idiot and asshole that fights the surrealist movement in these dishonest ways. My name, as others, must have been chosen at random because I never even met him, nor ever had any contact with him. We, the abused "signatories" are now trying to find out how to remove these from the internet and how to revenge in an appropriate way. He is calling himself a surrealist, but a quick look at his own attempts at promoting his "art" on the internet shows he has no understanding of the word whatsoever, and is of course not acknowledged by anyone in this movement. If you are in doubt if I really signed such a text or not, please contact me and just ask.
Contact and upcoming events.
Updated the 23rd of January, 2012.